It won’t take liquid frisket or film, so I plan accordingly. It does have stunning vibrancy, especially for handmade paper, as most other handmade papers are too absorbent, and paint reactivates so absolutely that one can easily feather back and re-bleed even dry edges.
I enjoyed its capacity for deliberate blooms (which you can see on the head and chest areas) and the overall feel of painting is joyous.
The subject is one of Kenya’s rarest birds, with only a couple of hundred surviving in specific fragments of montane rainforest in the Taita hills area, in the southeast of Kenya.